Saturday, October 12, 2019
Comparing Crime and Punishment and Taxi Driver :: comparison compare contrast essays
      Crime and Punishment and Taxi Driver            He is a man whose psychological workings are dark, twisted, horrifying, and  lonely. He is an absurd, anti-hero who is absolutely repulsed by his  surroundings, and because he is unable to remove himself from them, he feels  justified in removing other people. This profile fits Travis, portrayed by  Robert DeNiro in Scorsese's film "Taxi Driver,", and Raskolnikov, the main  character of Dostoevsky's novel Crime and Punishment. Their revulsion for life  leads both men to commit cold-blooded murders, but the story lines contain major  differences. By contrasting these differences and comparing the common themes of  the classic and the film, we may come to a clearer understanding of the purpose  of both stories.            The root of both Travis' and Raskolnikov's problems is their complete and  utter disgust with the world around them. Travis is a New York City cab driver  who drives everywhere and picks up anyone. It doesn't matter to him if the  customer is a prostitute who uses his backseat as her workplace. He just drives  around with a glazed look of indifference in his eyes, while inside, his heart  is overflowing with rage. In contrast, Raskolnikov is an ex-student living in  St. Petersburg during the mid 1800's. He is extremely poor, and therefore lives  in an area called the Haymarket, where all the whorehouses and bars were  located. Every time he goes out, he walks past the dregs of society, which fills  his heart with hatred for everyone and everything. Both characters see the world  to be completely evil and devoid of all goodness, and this existential view  drives them to become exactly what they so desperately hate.            Their revolt against ugliness pulls both characters towards the most ugly of  all deeds - murder. Travis dreams that "someday a real rain will come and wipe  this scum off the streets." He feels some sort of divine calling to actually  become this "real rain." Similarly, Raskolnikov plots to sacrifice one "louse of  a human being" who is "no good to anyone" for the benefit of thousands. Out of  this scheme he derives his Extraordinary/ Superman theory that states that  humans are divided into the ordinary and the extraordinary, the men and the  supermen.  					    
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